Sunday, August 18, 2013

Annotated Bibliography for The Battle of Words: Propaganda in WWI

Annotated Bibliography

Auswärtiges Amt. The German Army in Belgium. Online. Translated by Ernest Nathaniel Bennett. London: Swarthmore Press, 1921.

This book was originally penned and released by the Foreign Office of the German government in 1915 and then translated and analyzed by Bennett in 1921. The Foreign Office is qualified to make its claims and defend claims made against Germany by others. The White Book asserts that Germany has a right to violate the rules of warfare because the Belgians did it first. Germany's tactics are no worse than those of the enemy. If a tactic is acceptable enough for the enemy, then it is acceptable enough for Germany. There are no double standards. This piece is a significant example of German propaganda. While Germany had a right to defend herself both on the battlefield and in the arena of public opinion, it is important to understand that her claims are just as biased as those made against her. The intended audience of this work was originally the German people. It was not translated into English until 1921. Due to the age of the text and the formality of the language used, this book may be difficult for some readers. This book demonstrates that the Germans were aware of their reputation as "barbarians" and it shows that they were willing to defend their actions. However, it is propaganda because it is one-sided.


Bryce, James, et al. "Primary Documents: Bryce Report into German Atrocities in Belgium, 12 May 1915." FirstWorldWar.com. May 12, 1915. http://www.firstworldwar.com/source/brycereport.htm#OffencesAgainst Combatants (accessed July 1, 2013).

James Bryce was educated at Glasgow University and Oxford, where he once taught as a law professor. He was also a noted historian. Bryce was the British Ambassador to the United States before Prime Minister Asquith appointed him to head the commission that would bear his name. He is qualified to make the claims he does. Germany's conduct of the war was barbaric. Germany committed atrocities in Belgium against both soldiers and civilians. German war tactics violated established rules of warfare; and the German Army sanctioned all of it. Like the German White Book, it is important to realize that the Bryce Report is propaganda. The Bryce Report demonizes the Germans and criticizes their conduct of the war in Belgium. It paints the Germans in the worst possible light and paints the Allies and civilians in the best possible light, while ignoring reality. The intended audience of the Bryce Report is the British and American governments and the public. Its inflammatory language would appeal to both government officials and the public. Due to the age of the text and the formality of the language used, this source may be difficult for some readers. The Bryce report is an excellent example of propaganda written with the color of authority. It was considered a trustworthy source of information in its time because it was sponsored and published by the government.
  
Howard, Michael. The First World War: A Very Short Introduction. Oxford: Oxford University Press, 2002.

Sir Michael Howard is Professor Emeritus of Modern History at both Oxford and Yale Universities. He has written numerous books on war and European history. He is qualified to make the claims that he does. Howard’s book is an overview of World War I, its causes, and its events. It describes how the combination of technology and culture made World War I so appalling and tragic. Most sources focus on the Western Front, while Howard devotes significant attention to the Eastern Front as well. Howard uses loaded language and pro-British bias, especially when discussing other countries – whether friend or foe. The intended audience of this book is students and others who may have limited background knowledge of World War I. The prose is uncomplicated and reads like a story. Howard’s book serves as a good starting point for those who need background information on World War I.

Marquis, Alice Goldfarb. "Words as Weapons: Propaganda in Britain and Germany during the First World War." Journal of Contemporary History 13, no. 3 (July 1978): 467-498.

Alice Goldfarb Marquis received her Ph. D. from University of California at San Diego in 1978. Her focus is studying the twentieth century. She is qualified to make the claims that she does. The nature of mass communications changed during World War I. The text documents the role of the press in shaping public opinion during World War I. Dr. Marquis tends to use the very same loaded vocabulary that she attributes to propaganda writers and “yellow” journalists. The intended audience of this essay is scholars and historians. The language is loaded but easily understood. Despite the emotionally charged vocabulary, this article does have information in it that makes it a viable source for research.

Messinger, Gary S. "An Inheritance Worth Remembering: The British Approach to Official Propaganda During the First World War." Historical Journal of Film, Radio, and Television 13, no. 2 (June 1993): 117-128.

Dr. Gary Messinger is Director of Corporate and Foundation Relations at Boston College and earned his Doctorate in History from Harvard University. He has written two books on British history, one of which was about British propaganda. Dr. Messinger is qualified to raise his points. Before 1914, most propaganda was produced by organizations outside of governments. While the British developed an effective Propaganda apparatus, they did not fully exploit its potential both during and after the war. This source is not overtly biased. The author does not over emphasize the contributions and success of the British propaganda campaign during World War I. The intended audience of this essay is scholars and historians. The language is straightforward and easily understood by most readers. This article provides a detailed overview of who was involved in the evolution of British propaganda during World War I.
  
Walton, Douglas. "What is Propaganda, and What Exactly is Wrong with it?" Public Affairs Quarterly 11 (1997): 383-413.

Dr. Douglas Walton has written many books and articles on argumentation, logical fallacies, and informal logic. According to the biography on his website (http://www.dougwalton.ca), he is currently the Assumption Chair in Argumentation Studies and is Distinguished Research Fellow of the Centre for Research in Reasoning, Argumentation, and Rhetoric at the University of Windsor, Canada. Dr. Walton’s expertise qualifies him to make his claims. While this article is not focused solely on World War I, it provides relevant information on the history of propaganda and the elements of propaganda. There is no discernable bias in the article itself, however the article does discuss bias and its use in propaganda. The language is straightforward and easily understood by most readers. The points made in this article would make a good checklist to use when discerning whether or not a source is propaganda.

Ponsonby, Arthur Augustus William Harry. Falsehood in War-Time: Propaganda Lies of the First World War. London: George Allen and Unwin, 1928.

Baron Arthur Augustus William Henry Ponsonby was a British politician, writer, and social activist who was a Minister of Parliament (MP) during the Great War. During the war, he formed the Union of Democratic Control with other anti-war MPs. This book was written about a decade after the war and it details the use of propaganda and falsehood during World War I. It helps dispel some common myths and misconceptions about the causes and events of the war. After the war there were many books written by those who experienced it. Most of these books were colored by the propaganda of the war. Ponsonby’s book tries to set the record straight. Ponsonby’s attempt at revealing the lies of the First World War Is sometimes written using the very same language that he rails against. His language suffers from the same weaknesses as Marquis’s "Words as Weapons: Propaganda in Britain and Germany during the First World War." This book was written for scholars, historians, and laypeople. The language is loaded but easily understood. However, like most British authors, Ponsonby refers to most people by their last names and assumes that the reader knows to whom he is referring. While Ponsonby does an admirable job of staying neutral and exposing lies, his language is a reminder that the perceptions of those who experienced the war first hand were colored by the tremendous amounts propaganda produced, whether consciously or unconsciously.

Demm, Eberhard. "Propaganda and Caricature in the First World War." Journal of Contemporary History 28, no. 1 (January 1993): 163-192.

Dr. Eberhard Demm is a Professor at the University of Lyon, France. He has written books about political cartoons and World War I. This article gives a detailed analysis of both Allied and German propaganda, but focuses mainly on German and British propaganda. Most of the articles out there focus on British and American propaganda, but either ignore or only casually mention German propaganda. Dr. Demm is German, but he is unbiased in his assessments of both Allied and German propaganda. The language is straightforward and easily understood by most readers; however some German phrases that Demm uses are not translated for the reader. This is a wealth of information about how German propaganda depicted the Allies, especially the British.

The Battle of Words: Propaganda in World War I

What is Propaganda? Propaganda is any statement, whether true or false, used to promulgate one’s ideas or beliefs with the intent of denigrating the ideas or beliefs of another. World War I propaganda contained a kernel of truth mixed in with half-truths, exaggerations, distortions, and/or outright lies and misinformation. Both sides used propaganda as a “psychological warfare” weapon.[i] World War I was a pivot in the history of propaganda as production transitioned from civilian to government. This transition was a result of the German and British governments' recognition of the power of propaganda to defame their enemies and that the public relations war was just as critical of a conflict as the Western Front.
While propaganda has always existed, it gained its modern usage and connotation during World War I. The term “propaganda” was coined by the Catholic Church in 1572, when Pope Gregory XIII convened the Congregatio de Propaganda Fide (Congregation for the Propagation of the Faith) to combat the Reformation. From the beginning, “propaganda” referred to imposing one’s beliefs and agenda upon another.[ii] Prior to World War I, propaganda was the domain of publishers, civilian societies (the turn-of-the-century equivalent of Non-Governmental Organizations [NGOs]), churches, and civic organizations (e.g. the Lion’s Club or Rotary Club), businesses, and political parties. Governments shied away from directly influencing the beliefs and behavior of the people.[iii] That all changed after the onset of world war.
Each of the Entente and Central Powers produced propaganda. Governments quickly seized upon the opportunity to harness the power of mass communications. In Britain, the government enlisted the publishers to produce books, pamphlets, and newspaper articles. In Germany, the military had seized control of the press and controlled the messages the people read. [iv] Both the British and the Germans produced propaganda meant to sway their own people, the enemy, and the neutrals --  particularly the United States.[v]
Propaganda was not limited to the printed word, although print materials composed the majority of the propaganda produced. There were two main categories of propaganda: direct and indirect. Direct propaganda consisted of printed materials (posters, pamphlets, articles, books, cartoons, drawings, poems, and songs), but also speeches and films (more so in the United States, as the European film industry was inactive due to the war).[vi] At this time radio was in its infancy and not yet available to consumers, and therefore did not have the impact that it would twenty years later.[vii] Additionally, songs and poems were performed live as well as available in printed form. Indirect propaganda was much more subtle and included censorship, news management, and social engineering.[viii]
Marquis (1978) identifies eight types of propaganda that were used by the in World War I:
(1) stereotypes (bull-necked Prussian officers), (2) pejorative names (Huns, Boches), (3) selection and omission of facts (evacuations called 'rectifications of the line' and retreats unmentioned), (4) atrocity stories (Belgian nuns raped, hands of babies severed), (5) slogans ('war to end wars'), (6) one-sided assertions (small victories inflated, large defeats censored), (7) pinpointing the enemy ('German militarists'), and (8) the 'bandwagon effect' ('all patriotic people join the Army')[ix]

Both sides omitted defeats from war reporting.[x] Ponsonby also details the circumstances surrounding the infamous German “atrocity” story of babies mutilated.[xi] While some may argue that the term “militaristic” had negative connotations, it was an apt description of Prussian society.[xii] The fallacy may lie in describing all of German society with the same terms as Prussia.
          World War I was a war between Kultur versus Zivilisation (Culture vs. Civilization).[xiii] Both sides felt that their own culture was superior to the culture of the enemy. They were willing to kill one another and die themselves for this “cause.” This is how the war of words transformed into war on the battlefield.
           German culture was mocked and considered inferior to British culture. As previously mentioned, the British had many stereotypes for the Germans. They depicted Germans as barbaric Huns. Prussian officers were often depicted as lazy and overweight.[xiv] In the Civilization vs. Culture model, the British considered Civilization paramount to Culture.[xv] Civilization meant transitioning from brute savage to refined human. To support their idea that the Germans were fearsome barbarians, the British described German war tactics as underhanded (submarines) or “uncivilized” (gas warfare), even if  Britain or her Allies employed the same tactics (gas warfare). Any death at the hands of a German was an “atrocity.”[xvi]
          Conversely, the Germans viewed themselves as superior to the British, especially after their initial victories.[xvii] They viewed England as “old and sick”[xviii] and Western democracy as calumnious and decadent.[xix] In the Culture vs. Civilization paradigm, the Germans viewed culture as superior. Civilization is sterile and mechanical progress, while Culture is aesthetic progress (it is useful and it is beautiful).[xx] German Propaganda was defensive as well as offensive in nature. To counter the West’s depiction of Germans as barbarians, the Germans depicted their soldiers as humanitarians.[xxi] They also wrote the so-called “White Book” to answer the charges made by the Bryce Report.[xxii]
          Propaganda was used during World War I for many reasons, but the main reason was to influence actions. Persuasion was secondary to action.[xxiii] Both Britain and Germany produced propaganda to boost their own morale and to break the morale of the enemy. They also launched extensive propaganda campaigns to convince potential Allies, especially the United States, to join their particular side. Germany employed intense social engineering and news management to keep the public “in line” and to control the message.[xxiv] After the release of the Bryce report, Germany released her own “White Book” to refute Bryce’s claims. This practice of counter-propaganda continued throughout the war.[xxv]
          Attempting to prove the effect of all of this propaganda is difficult to do.[xxvi] Propaganda's effects can be difficult to ascertain because exposure to it is a subjective experience; the effects are both conscious and unconscious. The person exposed to propaganda may not be aware that what they are reading, viewing, or listening to is propaganda. Likewise, in Britain, most of their propaganda was created by reputable sources specifically to give it credibility.[xxvii] This color of authority is what made the Bryce Report so influential. As mentioned previously, atrocity stories from all sources reinforced the perception of the Germans as barbarians.
          World War I represented a transition from civilian to government production of propaganda. Looking at the propaganda of both the British and Germans gives insight into how each side viewed the other. Instead of focusing on proving the effects of propaganda, a better question to ask is was all of this propaganda necessary?




Bibliography
American Historical Association. "What is Propaganda?" Constructing A Post-War World: The GI Roundtable Series in Context. July 4, 1944. http://www.historians.org/projects/GIRoundtable/Propaganda/Propaganda.pdf (accessed March 15, 2012).
Auswärtiges Amt. The German Army in Belgium. Online. Translated by Ernest Nathaniel Bennett. London: Swarthmore Press, 1921.
Bairnsfather, Bruce. The Bystander's Fragments from France. London: The Bystander, Tallis House, 1916.
Bryce, James, et al. "Primary Documents: Bryce Report into German Atrocities in Belgium, 12 May 1915." FirstWorldWar.com. May 12, 1915. http://www.firstworldwar.com/source/brycereport.htm#Offences Against Combatants (accessed July 1, 2013).
Cook, David A., and Robert Sklar. "History of the Motion Picture." Encyclopedia Britannica Online. 2013. http://www.britannica.com/EBchecked/topic/394161/history-of-the-motion-picture. (accessed August 1, 2013).
Demm, Eberhard. "Propaganda and Caricature in the First World War." Journal of Contemporary History 28, no. 1 (January 1993): 163-192.
Howard, Michael. The First World War: A Very Short Introduction. Oxford: Oxford University Press, 2002.
Institute of Electrical and Electronics Engineers (IEEE). "Radio." IEEE Global History Network. 2012. http://www.ieeeghn.org/wiki/index.php/Radio (accessed August 1, 2013).
Marquis, Alice Goldfarb. "Words as Weapons: Propaganda in Britain and Germany during the First World War." Journal of Contemporary History 13, no. 3 (July 1978): 467-498.
Messinger, Gary S. "An Inheritance Worth Remembering: The British Approach to Official Propaganda During the First World War." Historical Journal of Film, Radio, and Television 13, no. 2 (June 1993): 117-128.
Ponsonby, Arthur Augustus William Harry. Falsehood in War-Time: Propaganda Lies of the First World War. London: George Allen and Unwin, 1928.
Trumpener, Ulrich. "The road to Ypres: The beginnings of gas warfare in World War I." The Journal of Modern History 47, no. 3 (1975): 460-480.
Walton, Douglas. "What is Propaganda, and What Exactly is Wrong with it?" Public Affairs Quarterly 11 (1997): 383-413.
Zinn, Howard. A People's History of the United States. New York: HarperCollins, 2009.












[i] American Historical Association. "What is Propaganda?" Constructing A Post-War World: The GI Roundtable Series in Context. July 4, 1944. <http://www.historians.org/projects/GIRoundtable/Propaganda/Propaganda.pdf> (accessed March 15, 2012). 1.

[ii] Walton, Douglas. "What is Propaganda, and What Exactly is Wrong with it?" Public Affairs Quarterly 11 (1997): 383

[iii] Messinger, Gary S. "An Inheritance Worth Remembering: The British Approach to Official Propaganda During the First World War." Historical Journal of Film, Radio, and Television 13, no. 2 (June 1993) Communication & Mass Media Complete, EBSCOhost (accessed August 8, 2013).

[iv] Demm, Eberhard. "Propaganda and Caricature in the First World War." Journal of Contemporary History 28, no. 1 (January 1993): 163-4.

[v] Messinger’s entire article “An Inheritance Worth Remembering: The British Approach to Official Propaganda During the First World War” discusses how British and German propaganda was designed to persuade the United States to enter the war on their particular side. Each side capitalized on its cultural heritage in America.

[vi] Cook, David A., and Robert Sklar. "History of the Motion Picture." Encyclopedia Britannica Online. 2013. <http://www.britannica.com/EBchecked/topic/394161/history-of-the-motion-picture>. (accessed August 1, 2013).

[vii] Institute of Electrical and Electronics Engineers (IEEE). "Radio." IEEE Global History Network. 2012. <http://www.ieeeghn.org/wiki/index.php/Radio> (accessed August 1, 2013).

[viii] Demm, “Propaganda,” 165. Marquis, Alice Goldfarb. "Words as Weapons: Propaganda in Britain and Germany during the First World War." Journal of Contemporary History 13, no. 3 (July 1978): 486.

[ix] Ibid., 486.

[x] Ponsonby, Arthur Augustus William Harry. Falsehood in War-Time: Propaganda Lies of the First World War. London: George Allen and Unwin, 1928. Ponsonby mentions lies and omissions throughout Falsehood. Marquis, “Words as Weapons,” 486, 492. Demm, 163. Zinn, Howard. A People's History of the United States. New York: HarperCollins, 2009: 461-2.

[xi] Ponsonby, Falsehood, Chapter VIII.

[xii] Demm, Eberhard. "Propaganda and Caricature in the First World War." Journal of Contemporary History 28, no. 1 (January 1993): 164.

[xiii] Demm, “Propaganda,” 176. Howard, Michael. The First World War: A Very Short Introduction. (Oxford: Oxford University Press, 2002). 1.

[xiv] Howard, First World War, 31, 39, 52, 81. Bairnsfather, Bruce. The Bystander's Fragments from France. (London: The Bystander, Tallis House, 1916). 8, 13, 34.

[xv] Demm, 176.

[xvi] Trumpener, Ulrich. "The Road to Ypres: The Beginnings of Gas Warfare in World War I." The Journal of Modern History 47, no. 3 (1975): 461-3. Bryce, James, et al. "Primary Documents: Bryce Report into German Atrocities in Belgium, 12 May 1915." FirstWorldWar.com. May 12, 1915. <http://www.firstworldwar.com/source/brycereport.htm#Offences AgainstCombatants> (accessed July 1, 2013). Despite being a British propaganda piece written under the guise of authority, the Bryce Report shows the British attitude toward Germany. Ponsonby, Falsehood. The entire work discusses how atrocity stories were either exaggerated or completely fabricated.

[xvii] Demm, 175. Howard, 9.

[xviii] Demm, 176.

[xix] Demm, 175. Howard, 9.

[xx] Demm, 170.

[xxi] Ibid., 176.

[xxii] Auswärtiges Amt. The German Army in Belgium. Online. Translated by Ernest Nathaniel Bennett. (London: Swarthmore Press, 1921). According to Marquis (1978, p. 489), this action violated the number one rule of propaganda: Never directly answer the attacks of the enemy.

[xxiii] Walton, “What is Propaganda?” 394.

[xxiv] Marquis, “Words as Weapons,” 476.

[xxv] Ibid., 489.

[xxvi] Demm, 166.

[xxvii] Messinger, “Propaganda.”

Thursday, August 15, 2013

Some Thoughts on War

It has been said that war is the great equalizer. I would like to modify that by saying that war is the great pressure equalizer. War’s purpose in society is to release pressure like a valve on a pressure cooker. Conflict is inherent to the human existence. How we resolve that conflict determines whether or not a war will break out. Unfortunately, diplomacy does not always work to resolve conflict. When that happens, war seems to be the only resolution. But what happens when one war is fought to resolve an issue, but only serves to create more conflict in its aftermath? That is the story of WWI, although one could argue that that is also the story of most wars.

About Me

Welcome to my blog! My name is Amy DeMarco and I am an undergraduate student at Southern New Hampshire University majoring in History with a concentration in Military History. My ultimate goal is to become a high school US History teacher. History is my passion. I have been studying WWII for the past 27 years, concentrating mostly on the European Theatre. My father was a history buff and he cultivated a passion for history, especially WWII. Three of my four grandparents were WWII vets. I enjoy reading non-fiction, especially history. My personal library consists mainly of history books written by British authors. My two favorite time periods are WWII and the Victorian Era.